'We Were the Original Rebels': The Ladies Rebuilding Grassroots Music Culture Across the UK.
If you inquire about the most punk gesture she's ever accomplished, Cathy Loughead doesn't hesitate: “I performed with my neck fractured in two spots. I couldn't jump around, so I decorated the brace instead. That was an amazing performance.”
Loughead belongs to a rising wave of women reinventing punk expression. While a recent television drama focusing on female punk broadcasts this Sunday, it echoes a scene already thriving well outside the TV.
The Spark in Leicester
This momentum is felt most strongly in Leicester, where a 2022 project – currently known as the Riotous Collective – lit the fuse. Loughead was there from the outset.
“In the early days, there were no all-women garage punk bands locally. By the following year, there we had seven. Now there are 20 – and increasing,” she explained. “Riotous chapters exist throughout Britain and worldwide, from Finland to Australia, laying down tracks, performing live, taking part in festivals.”
This surge isn't limited to Leicester. Throughout Britain, women are repossessing punk – and changing the landscape of live music simultaneously.
Revitalizing Music Venues
“Numerous music spots around the United Kingdom thriving due to women punk bands,” noted Cathy. “So are rehearsal studios, music education and guidance, recording facilities. This is because women are filling these jobs now.”
Additionally, they are altering the crowd demographics. “Female-fronted groups are performing weekly. They're bringing in more diverse audiences – attendees who consider these spaces as safe, as for them,” she continued.
A Rebellion-Driven Phenomenon
A program director, involved in music education, commented that the surge was predictable. “Females have been promised a vision of parity. Yet, misogynistic aggression is at crisis proportions, the far right are using women to peddle hate, and we're gaslit over issues like the menopause. Females are pushing back – through music.”
Toni Coe-Brooker, from the Music Venue Trust, notes the phenomenon altering community music environments. “We're seeing varied punk movements and they're contributing to community music networks, with grassroots venues booking more inclusive bills and building safer, more welcoming spaces.”
Gaining Wider Recognition
Soon, Leicester will present the debut Riot Fest, a weekend festival featuring 25 all-women bands from the UK and Europe. In September, Decolonise Fest in London showcased punks of colour.
This movement is edging into the mainstream. The Nova Twins are on their first headline UK tour. A fresh act's initial release, their album title, reached number sixteen in the UK charts lately.
Panic Shack were in the running for the an upcoming music award. Another act won the Northern Ireland Music Prize in last year. Recent artists Wench appeared at a major event at Reading Festival.
It's a movement born partly in protest. Within a sector still plagued by gender discrimination – where women-led groups remain underrepresented and performance spaces are facing widespread closures – women-led punk groups are establishing something bold: a platform.
Timeless Punk
Now 79 years old, one participant is testament that punk has no seniority barrier. From Oxford musician in a punk group picked up her instrument only recently.
“As an older person, there are no limits and I can pursue my interests,” she stated. Her latest composition contains the lines: “So shout out, ‘Forget it’/ It's my time!/ I own the stage!/ I'm 79 / And in my fucking prime.”
“I appreciate this influx of elder punk ladies,” she remarked. “I couldn't resist during my early years, so I'm doing it now. It's fantastic.”
Another musician from her group also noted she couldn't to rebel as a teenager. “It's been really major to be able to let it all out at this point in life.”
A performer, who has traveled internationally with various bands, also sees it as catharsis. “It involves expelling anger: being invisible as a parent, as an older woman.”
The Freedom of Expression
Comparable emotions motivated Dina Gajjar to form Burnt Sugar. “Standing on stage is an outlet you didn't know you needed. Girls are taught to be obedient. Punk defies this. It's noisy, it's flawed. As a result, when bad things happen, I think: ‘I should create music from that!’”
Yet, Abi Masih, a percussionist, stated the female punk is any woman: “We are typical, working, brilliant women who love breaking molds,” she said.
A band member, of the Folkestone band She-Bite, agreed. “Ladies pioneered punk. We were forced to disrupt to gain attention. We still do! That rebellious spirit is in us – it feels ancient, primal. We're a bloody marvel!” she stated.
Defying Stereotypes
Not all groups match the typical image. Julie Ames and Jackie O'Malley, involved in a band, try to keep things unexpected.
“We don't shout about the menopause or curse frequently,” noted Julie. Her partner added: “Well, we do have a bit of a 'raah' moment in all our music.” Ames laughed: “That's true. But we like to keep it interesting. Our last track was about how uncomfortable bras are.”